Download Digital Sheet Music of Mozart Piano and Orchestra for Harp

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Mozart Piano and Orchestra
Not classified 274

Piano & keyboards
Piano solo 14
2 Pianos, 4 hands 4
Piano Accompaniment 4
Piano Quartet: piano, violin, viola, cello 2
1 Piano, 4 hands 2

Easy Piano 1
Piano, Vocal and Guitar 1

+ 2 instrumentations

- Retract

Guitars
Guitar 3

Voice
Choral SATB 3

Woodwind
Alto Saxophone and Piano 9
Oboe, Piano (duet) 8
Soprano Saxophone and Piano 4
Baritone Saxophone, Piano 3
Tenor Saxophone and Piano 3

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 2
Saxophone Quartet: 4 saxophones 1
Clarinet and Piano 1
Flute and Piano 1
Flute Quartet: 4 flutes 1

+ 5 instrumentations

- Retract

Woodbrass
Trumpet, Piano 1
2 Trombones (duet) 1
Brass Quintet: 2 trumpets, horn, trombone, tuba 1
Brass quartet : 2 trumpets, trombone, tuba 1

Strings
Violin and Piano 10
Cello, Piano 4
Violin 3
String Quartet: 2 violins, viola, cello 3
Violin (band part) 2

Double bass, Piano (duet) 2
Harp 1

Harp and Piano 1
Cello Ensemble 1
String Trio: 3 cellos 1

+ 5 instrumentations

- Retract

Percussion & orchestra
String Orchestra 94
Orchestra 53
Piano and Orchestra 16
Chamber Orchestra 15
Orchestra, Violin 1

Concert band 1

+ 1 instrumentations

- Retract

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Mozart Piano and Orchestra

Harp

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1 sheet music found

Alla Turca Jazz

Alla Turca Jazz #Harp #Jazz #Contemporary #Fazil Say #Ekaterina Afanasieva #Alla Turca Jazz #Schott Music - Digital #SheetMusicPlus

Harp - Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Compose...(+)

Harp - Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.

It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.

The very popular piece was now arranged for harp by Ekaterina Afanasieva.

$6.99 ≈ 6.47€